His travels take him first to Ireland and then to Hong Kong. There is a dollop of sexism and some mild racial stereotypes to cope with along the way, but in this respect Gardner mirrors Ian Fleming very well (whether this is a concerted effort is arguable). The final scenes where Bond is being hunted by four assassins on a small island off the coast of Hong Kong are excellently paced and executed by Gardner. Exposition is scattered about the book where required rather than being lumped at the end and the plot for once is wholly believable. This is a great book. No Deals, Mr Bond has to rate as one of the worst titles in the series, which is a shame as it's one of Gardner's better novels. I've found the first five to be variable in quality, but by his sixth Bond story, Gardner seems to have got a plot that works and a grip in the character he wants Bond to be. 'ADIM FARAH' DİZİSİ HANGİ KANALDA, NE ZAMAN BAŞLAYACAK? deal Haberin devamı.
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The setting of Ireland is intriguing, especially Bond rubbing shoulders with some of the underworld characters and gives this story a real freshness. The plot is packed with twists and turns throughout, and the story never becomes too far-fetched. Bond appears somewhat invincible as always and while Q unfortunately does not show up, the gadgets featured are novel. One criticism; the idea of MI6 recruiting spies aged in their teens is inconceivable and the main one, Bond's latest squeeze Ebbie, is rather annoying at times. Her and Heather seem far too weak and vulnerable to be taken seriously as field agents. We have heard the sentence before. Bond is back. Dalga mı geçiyorsun canım.
I've found the first five to be variable in quality, but by his sixth Bond story, Gardner seems to have got a plot that works and a grip in the character he wants Bond to be. Two former undercover agents have been killed and M asks Bond to protect the remaining three members of the team. It's a basic and believable story with little reliance on ultramodern (for the eighties) technology or gadgetry, skips over the aspects Gardner's vision of Bond dug into in the previous novels, and is much more like something Fleming would have penned. Bond still lacks some of the depth of character that Fleming gave him, but at least doesn't seem to contradict the original character. There are moments where Bond's apparent age flickers between his thirties and sixties, but it's hidden well and easy to suspend disbelief of this minor aspect. A good adventure, and if the rest of Gardner's novels follow the style of this one then I'll be very pleased. Impressive stuff. John Gardner gives Ian Fleming a run for his money, bringing Bond into the modern-ish era in a style which probably fits Pierce Brosnan's 007 if anything.
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